The Leggings We Keep Coming Back To
A good pair of leggings has almost nothing to do with how tight they are and everything to do with what happens after twenty minutes of wear. The fabric should…
A good pair of leggings has almost nothing to do with how tight they are and everything to do with what happens after twenty minutes of wear. The fabric should…
Nude lace works harder than any other tone in this fabric because it behaves like a second skin rather than a statement. The trouble is that nude is not one…
A good Christmas jumper earns its place on the rail by being genuinely wearable past the one office party it was bought for, and that comes down to the knit…
A good cotton jumper earns its place through weight and construction long before colour or pattern come into it. Cotton behaves differently to wool, it has no natural elasticity to…
A cream jumper is only as good as its yarn, and that is where most of the disappointment in this category starts. Thin, single ply cotton acrylic blends look fine…
A cropped hoodie earns its place by getting the proportions right before anything else. The crop should sit at or just above the natural waist, not skim the ribcage in…
A good gold hoop earns its place through weight and finish, not just size. Pick one up and it should feel substantial without dragging on the earlobe, with a clasp…
Ivory is the shade that separates a good jumper from a forgettable one, because there is nowhere to hide. The colour shows every irregularity in a knit, which is precisely…
A good kimono top earns its keep on drape alone. The fabric has to move independently of the body, which means viscose, silk, and lightweight crepe outperform anything stiffer, and…
Lilac sits in an odd, useful place in a jumper’s colour range. It reads soft without tipping into pastel sweetness, and against denim, grey, camel or black it does something…