Our Favourite Winter Dresses Right Now
A winter dress has to do more work than its summer equivalent, which is why fabric weight matters more than print or colour. The good ones are built from something…
A winter dress has to do more work than its summer equivalent, which is why fabric weight matters more than print or colour. The good ones are built from something…
Yellow is the shade that separates a good slip dress from a forgettable one, because it shows every flaw in the fabric and forgives none of them. Cheap satin goes…
A good polka dot dress earns its place through the quality of the print rather than the novelty of it. Dots that are placed with real intention, spaced with some…
Yellow is the one colour that photographs the way it feels, which is precisely why it works so hard on a night out. Under low lighting and phone flashes, most…
Yellow is an unforgiving colour to get right in a shift dress, which is exactly why it rewards attention. The shade that actually works sits closer to a warm daffodil…
White holds a room in a way that colour rarely manages. It reflects light rather than absorbing it, which is precisely why the fabric and cut matter more here than…
Wine sits differently on an a line dress than almost any other colour on the rail. It has enough depth to read as neutral against black, camel or grey, yet…
A good work dress does most of the thinking for you, which is exactly why it earns its place at the front of the rail. The best versions are built…
A wine dress works on tone before it works on cut. That deep, slightly bruised red, somewhere between merlot and oxblood, flatters more skin tones than black ever manages and…
Yellow is the colour most maxi dresses get wrong, which is exactly why the right one is worth hunting for. Go too pale and it drains colour from the face,…