Claire’s Pick of the Best White Fit and Flare Dresses
A white fit and flare dress works because of what happens at the waist and nowhere else. The bodice needs to sit close without pulling, and the skirt needs to…
A white fit and flare dress works because of what happens at the waist and nowhere else. The bodice needs to sit close without pulling, and the skirt needs to…
A good white skater dress lives or dies on the fabric and the seaming at the waist. Too thin and it clings in the wrong places or turns see-through under…
White cut out dresses live or die on placement. A cut out at the waist, positioned just above the hip bone, does something genuinely flattering, it suggests shape without asking…
A white wrap dress works harder than almost anything else in a summer rail, provided the wrap does what it says. The tie needs to sit at a real waist,…
Wine sits in a strange, useful place between black and red, which is exactly why it works so hard in a mini dress. It has the gravity of black without…
A white shirt dress lives or dies on its collar and its weight of cloth. Too thin and it clings and creases within the hour, too stiff and it stands…
White on a bridesmaid rarely works by accident. The dresses that earn their place sit close to ivory or chalk rather than true bright white, because true white next to…
A white shift dress lives or dies on its construction, because there is nowhere for a bad seam or a cheap fabric to hide. The colour shows everything, so the…
White velvet is a strange, brilliant contradiction to work with. Velvet reads as heavy, wintery, almost theatrical, while white reads as light and bridal. The dresses that get this right…
A good white satin dress lives or dies on the fabric’s weight and how the cut works with it rather than against it. Satin is unforgiving. It skims rather than…