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Camel is a difficult colour to get right because it has nowhere to hide. There’s no print to distract from a bad drape, no dark tone to disguise a cheap…

Camel is a colour that punishes laziness and rewards construction, which is why so many dresses in this shade fall flat. Without navy’s built in gravitas or black’s forgiving density,…

Brown is the wrap dress colour that actually earns its place, more than black and far more than the safe navy option, because it does something for skin tone that…

Charcoal sits in a useful spot between black and grey, close enough to black to do the same disciplined work but with a softness that keeps it from looking like…

Burgundy does something on holiday skin that black never quite manages. It has enough warmth to sit against a tan rather than cut across it, and enough depth to read…

Brown solves the problem that black slip dresses create, which is a certain flatness under artificial light. A good chocolate, mocha or toffee tone has warmth in it, so it…

Burgundy does something floral prints rarely manage on their own: it grounds them. Where a floral on a white or pale ground can tip sweet, the same print worked into…