Shop the Velvet Skirts We’d Actually Wear
A good velvet skirt has weight to it. Pick one up and it should fall rather than float, with a pile dense enough to catch light in one direction and…
A good velvet skirt has weight to it. Pick one up and it should fall rather than float, with a pile dense enough to catch light in one direction and…
A good tweed skirt earns its place through weight and weave rather than pattern alone. The fabric should have a bit of body to it, enough structure to hold a…
A good sequin skirt earns its shine through construction, not just glare. Look at how the sequins are anchored: stitched individually onto a knitted or mesh base moves with the…
A ruched skirt earns its place through construction, not decoration. Gathering that runs consistently through a stretch jersey or a fine ponte will pull in at the waist and release…
Red is the one colour a midi skirt cannot fake its way through, which is exactly why the category rewards attention. A weak red goes orange under artificial light or…
Purple sits in an odd, useful place in the colour spectrum: rich enough to read as a considered choice rather than an accident, but nowhere near as demanding as red…
Yellow is the colour that makes an A line skirt worth singling out, but the shape has to do its job first. A good A line sits at or just…
A white maxi skirt only earns its place if the fabric behaves properly at length. Anything too thin will cling and reveal more than intended in daylight, so look for…
A good silver skirt behaves differently depending on what it is made from, and that is really the whole story of the category. A liquid satin or charmeuse falls close…
Red does most of the work in an A line skirt, which is precisely why the cut and the fabric need to earn their place too. The shape itself is…