Green does something a backless dress rarely gets credit for: it makes the exposed skin look considered rather than incidental. A true bottle or forest green sits close enough to black to hold its own at night, but it carries enough depth to photograph as a colour rather than a shadow, which matters enormously when the entire point of the dress is the line down your spine. Olive and khaki greens read more daytime, more resort, but on a backless cut they can tip costume-y if the fabric is too matte. The ones that earn their place have a slight sheen, a silk blend, a satin back crepe, something with enough life in the weave to catch light across the shoulder blades, because that is the whole job of the design.
The construction is where most backless dresses succeed or fail, and it has nothing to do with the neckline. Look at what happens below the shoulder blades: a low scoop needs boning or a substantial internal bra to stay put, a halter needs a wide enough strap not to dig in, and a cowl back needs weight in the fabric so it drapes rather than gapes when you move.
Cheap versions rely on double sided tape and hope. Good ones are engineered so you can dance, sit down, and lift your arms without checking on yourself.
Styling one is mostly about restraint elsewhere. The back is the statement, so the front and sides should stay clean, a low or square neckline rather than anything fussy, minimal jewellery apart from perhaps drop earrings that draw the eye up and back.
Hair goes up, always, even if it is a loose low bun rather than anything formal. Skin should be visible and unbothered by straps or clasps, which is why a good backless dress often comes with its own built in support rather than asking you to solve it with a strapless bra.
Occasion wise, this is evening wear in its purest form: dinners that run late, a summer wedding as a guest rather than the bride, a gallery opening, anywhere the room is warm enough that a jacket stays on a chair, not on you. Green in particular flatters candlelight and low restaurant lighting far better than pastel tones, which is worth remembering when the invitation says nothing more specific than after dark.
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